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Gallery Package - Tutankhamun


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Tutankhamun: Gold Mask Plate 26

0774964

View of the entrance to the tomb of Pharaoh Tutankhamon in the Valley of the Kings at Thebes, with military men guarding the monument

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Lord Carnarvon, Lady Evelyn Herbert and Mr Howard Carter at the Entrance to the Tomb of Tutankhamen. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 26.

0641019

Detail of the second mummiform coffin. Gold plated wood inlaid with glass-paste. Tukankhamen, by Christiane Desroches Noblecourt, page 268.<br>    The Egyptologist Howard Carter (employed by Lord Carnarvon) discovered Tutankhamun's tomb (since designated KV62) in The Valley of The Kings on November 4, 1922 near the entrance to the tomb of Ramses VI. Carter contacted his patron, and on November 26 of that year both men became the first people to enter Tutankhamun's tomb in over 3000 years. After many weeks of careful excavation, on February 16, 1923 Carter opened the inner chamber and first saw the sarcophagus of Tutankhamun.<br>    The sarcophagus contained three gold coffins nested within each other. Inside the final one was the mummy of the boy-king, Pharaoh Tutankhamen.

0965781

One of the four small, gold mummiform coffins placed in the canopic urns containing the king's viscera. Tukankhamen, by Christiane Desroches Noblecourt, page 162.

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Detail of the second mummiform coffin. Gold plated wood inlaid with glass-paste. Tukankhamen, by Christiane Desroches Noblecourt, page 267.<br>    The Egyptologist Howard Carter (employed by Lord Carnarvon) discovered Tutankhamun's tomb (since designated KV62) in The Valley of The Kings on November 4, 1922 near the entrance to the tomb of Ramses VI. Carter contacted his patron, and on November 26 of that year both men became the first people to enter Tutankhamun's tomb in over 3000 years. After many weeks of careful excavation, on February 16, 1923 Carter opened the inner chamber and first saw the sarcophagus of Tutankhamun.<br>    The sarcophagus contained three gold coffins nested within each other. Inside the final one was the mummy of the boy-king, Pharaoh Tutankhamen.

0965780

Treasure of Tutankhamen. The gilt throne. The back is decorated with a scene which is pehaps ritual but evokes the private life of the royal couple. The other parts of the throne are decorated with official and religious motives. Tukankhamen, by Christiane Desroches Noblecourt, page 42.

0965738

Tutankhamen's funeral mask in solid gold, inlaid with semi-precious stones and glass paste. Tukankhamen, by Christiane Desroches Noblecourt, page 115.<br>    The mask of Tutankhamen's mummy is now a popular icon for Ancient Egypt - the close-up of Tutankhamun's facial features as represented by 18th Dynasty artisans in the young king's death mask.<br>     The Egyptologist Howard Carter (employed by Lord Carnarvon) discovered Tutankhamun's tomb (since designated KV62) in The Valley of The Kings on November 4, 1922 near the entrance to the tomb of Ramses VI. Carter contacted his patron, and on November 26 of that year both men became the first people to enter Tutankhamun's tomb in over 3000 years. After many weeks of careful excavation, on February 16, 1923 Carter opened the inner chamber and first saw the sarcophagus of Tutankhamun.<br>    The sarcophagus contained three gold coffins nested within each other. Inside the final one was the mummy of the boy-king, Pharaoh Tutankhamen.

0965793

Stopper from one of the four canopic urns in the form of the king's head. Tukankhamen, by Christiane Desroches Noblecourt, page 160.<br>©2006 TopFoto

0965785

Head of the child king emerging from a lotus flower like the rising sun found at the entrance of the tomb. Tukankhamen, by Christiane Desroches Noblecourt.<br>    The blue lotus was a symbol of the Sun God and the pharaohs. Like the sun that sets in the evening and rises in the morning, the lotus flower blooms in the day and closes each night. In one version of the creation myth, the sun first rose out of a giant lotus flower that bloomed on the primordial mound. The lotus thus became a symbol of rebirth, the renewal of life and the promise of everlasting life.<br><br>

0965730

Mirror case found in a large coffer. In the form of the sign of life, it is made of gilt wood inlaid with glass paste. Tukankhamen, by Christiane Desroches Noblecourt, page 188.<br>    In the shape of a mirror or a knot, the ankh is a symbol of life. It was often carried by deities or people in a funeral procession, or offered to the king as the breath of life.<br>

0965768

Head of a dummy of the young Tutankhamen wearing a compromise between the crown of the kings of Lower Egypt and the headdress of Nefertiti. Stuccoed and painted wood. Tukankhamen, by Christiane Desroches Noblecourt, page 194.<br>    Kings are often represented wearing the nemes headcloth, a piece of cloth pulled tight across the forehead and tied at the back, with two flaps hanging on the sides. Cobra (uraeus) and vulture heads were worn on the forehead. <br>    The vulture was the symbol of Upper Egypt. Pharaohs wore the uraeus (cobra) and the head of a vulture on their foreheads as symbols of royal protection. The goddess Nekhbet was also portrayed as a vulture.<br>

0965803

Votive shield showing the king slaying two lions.  Tukankhamen, by Christiane Desroches Noblecourt, page 79.

0965802

Unguent box in the shape of a double cartouche, probably used for ritual purposes. Tukankhamen, by Christiane Desroches Noblecourt, page 69.<br>    The crook and flail are two of the most prominent items in the royal regalia. Kings held them across their chest. The crook, in the shape of a shepherd's staff, is a sceptre symbolizing government and that may be related to the concept of a good shepherd leading his flock.<br><br>

0965800

Unguent jar showing hunting scene, dominated by the figure of the King revealed as a lion. Painted alabaster. Tukankhamen, by Christiane Desroches Noblecourt, page 211.

0965799

The king's two daggers, one with a blade of gold and the other with a blade of iron. Tukankhamen, by Christiane Desroches Noblecourt, page 97.

0965789

The king's pendant in the form of a boat, showing the symbol of the god's resurrection, flanked by two royal serpents.  Tukankhamen, by Christiane Desroches Noblecourt, page 193.

0965797

Drinking cup, found at the entrance of the tomb made of calcite, is sculpted in the form of a half open lotus flower.  Tukankhamen, by Christiane Desroches Noblecourt, page 98. <br>    The blue lotus was a symbol of the Sun God and the pharaohs. Like the sun that sets in the evening and rises in the morning, the lotus flower blooms in the day and closes each night. In one version of the creation myth, the sun first rose out of a giant lotus flower that bloomed on the primordial mound. The lotus thus became a symbol of rebirth, the renewal of life and the promise of everlasting life.<br><br>

0965796

Pectoral decorated with the vulture of Upper Egypt. Gold cloisonne inlaid with glass paste. Tukankhamen, by Christiane Desroches Noblecourt, page 177. <br>    The vulture was the symbol of Upper Egypt. Pharaohs wore the uraeus (cobra) and the head of a vulture on their foreheads as symbols of royal protection. The goddess Nekhbet was also portrayed as a vulture.

0965757

The king's pendant in gold cloisonne depicting the vulture (Nekhabet) goddess of the South Nekhabet, Upper Egypt. Tukankhamen, by Christiane Desroches Noblecourt, page 177.<br>    Nekheb (the modern el-Kâb, a few miles north of Edfu) was the capital of the Southern Kingdom; the vulture-goddess, Nekhabet, was its protecting deity. But at both capitals the hawk-god, Horus, was worshipped as the distinctive patron-deity of both kings.  <br>    The vulture was the symbol of Upper Egypt. Pharaohs wore the uraeus (cobra) and the head of a vulture on their foreheads as symbols of royal protection. The goddess Nekhbet was also portrayed as a vulture.

0965798

The king's pectoral decorated with the winged scarab protected by the two goddesses Isis and Nephthys. Gold cloisonne with glass paste. Tukankhamen, by Christiane Desroches Noblecourt, page 187.

0965771

The king's pectoral decorated with the sacred eye flanked by the serpent goddess of the North and the vulture goddess of the South. Gold cloisonné with glass paste. Tukankhamen, by Christiane Desroches Noblecourt, page 187.<br>    The vulture was the symbol of Upper Egypt. Pharaohs wore the uraeus (cobra) and the head of a vulture on their foreheads as symbols of royal protection. The goddess Nekhbet was also portrayed as a vulture.

0965779

Details of the famous painted box which shows destruction of the Asians. Tukankhamen, by Christiane Desroches Noblecourt, page 80.

0965790

The famous painted box which shows Tutankhamen in his chariot. Tukankhamen, by Christiane Desroches Noblecourt, page 80.

0965791

The alabaster canopic shrine which was contained within the double coffer of gilded wood. Tukankhamen, by Christiane Desroches Noblecourt, page 159.

0965745

Tutankhamen's canoptic chest : a gem of Egyptian sculpture 1929 <br>

0980149

The most precious of all the king's coffers, made of ivory to contain gold rings. Tukankhamen, by Christiane Desroches Noblecourt, page 107.

0965794

A scribe's palette in ivory and a case for writing reeds, made of wood plated with gold and inlaid with glass paste. Tukankhamen, by Christiane Desroches Noblecourt, page 24.

0965732

An earring. In the centre of the clip is the little king flanked by two sacred serpents. Tukankhamen, by Christiane Desroches Noblecourt, page 23.

0965733

A footstool used by the boy king at the beginning of his reign.<br>Tukankhamen, by Christiane Desroches Noblecourt, page 24.

0965731

The bezel of a ring showing Tutankhamen's veneration of the Sun God. Tukankhamen, by Christiane Desroches Noblecourt, page 113.

0965786

Object in red gold openwork showing the king's triumphant return with prisoners. Tukankhamen, by Christiane Desroches Noblecourt, page 98.<br>    The Egyptian symbol for gold is a collar with beads along the lower edge. Gold has long been associated with the gods and royalty. This imperishable metal reflects the brilliance of the sun and the hope of eternal life. <br>    In the shape of a mirror or a knot, the ankh is a symbol of life. It was often carried by deities or people in a funeral procession, or offered to the king as the breath of life. Here, the Ankh is carried by the vulture top centre.<br><br><br><br>

0965777

The king's fly whisk. The front shows the king hunting ostriches. Tukankhamen, by Christiane Desroches Noblecourt, page 92.

0965787

Tiny statuette of Amenophis III found in a small mummiform coffin. Solid Gold. Tukankhamen, by Christiane Desroches Noblecourt, page 23.

0965729

Tutankhamen on a papyrus raft in the attitude of a harpooner. One of the funerary objects used to evoke the mystical pilgrimages during the funeral. Gilded wood. Tukankhamen, by Christiane Desroches Noblecourt, page 217. <br>    The Treasure Chamber in the tomb of Tutankhamun contained twenty-two black-painted wooden caskets, each of which contained one or more wooden statues portraying the pharaoh or a number of deities from the Egyptian pantheon. All of the figures contained in the black tabernacles are fixed to a rectangular base and at the moment of their discovery were wrapped in a linen cloth datable to the third year of the reign of Akhenaten. <br>    Two twin statues in gilded wood depict Tutankhamun standing upright on a papyrus raft and engaged in a mythical hunt for the hippopotamus symbolizing evil. The pharaoh is represented as the incarnation of Horus, the god that according to the legend fought in the swamps against the evil Seth who was transformed into a hippopotamus and was finally defeated. <br>    Tutankhamun, like the victorious god, has the task of fighting against evil and preserving the universal order of which he is the sole guarantor. The sovereign, seen in a striding pose taking a long, solemn step appears realistically to be concentrating on launching a long spear against his enemy. He is wearing the crown of Lower Egypt decorated at the front with a representation of the royal cobra above his youthful features.<br>

0965795

The king wearing the red crown of the North and holding the royal insignia. One of the funeral objects used to evoke the mystical pilgrimages during the funeral. Tukankhamen, by Christiane Desroches Noblecourt, page 218.  <br>    Found in the room which diggers called &quotThe Treasury." The King is depicted her wearing the red crown of the North and in a walking position. He is holding in one hand the flail and in the other a long crook which he is using as a walking stick. The object is reminiscent of the emblems of Osirian kingship which are held in the hands of the royal mummy.<br>    Ancient Egypt was once divided into two kingdoms. Before 3000 B.C., the kingdom in Lower Egypt was called the red crown and the Kingdom in Upper Egypt was known as the white crown. When Egypt was united, these two crowns were amalgamated into the Double Crown of Upper and Lower Egypt.<br>    The Ushabti (also called shabti or shawabti) is a small figurine of Ancient Egypt, included in the grave goods of the dead. They are human form statues that were made to serve and do labour in the afterlife of King Tut.

0965784

One of the two life-size statues of the king; black wood with applied gilded plaster. Tukankhamen, by Christiane Desroches Noblecourt, page 258.<br>    Two statues were discovered in the antechamber of the Royal tomb, facing each other on either side of the sealed entrance to the burial chamber. <br>    The statues, of refined craftsmanship are striking in both their life-size dimensions and the black finish of the skin, revealing the skill of the artist who has succeeded in investing their features with a sense of the almost supernatural power they wielded as guardians of the burial chamber. The black skin tone was a reference to the earth and thus, given that these are ka images of the sovereign, emphasizes the indestructibility of the creative nature of the king, evoking the aspects of rebirth and cyclical resurrection of Osiris. <br>    The king is portrayed in a striding pose, a mace gripped in his right hand and a long staff with a papyrus stem in his left hand. A gilded bronze asp adorns his forehead while the eyes are inlaid and outlined with gilded bronze, as are the eyebrows. A gilded usekh necklace and a pectoral are worn on the chest. The pleated skirt is fastened on the hips with a belt inscribed at the rear and on the buckle with the coronation name of the king Nebkbeperura. <br><br>

0965783

One of the many ushabtis of Tutankhamen wearing the red crown of the North. Tukankhamen by Christiane Desroches Noblecourt, page 171.<br>     Ancient Egypt was once divided into two kingdoms. The kingdom in Lower Egypt was called the red crown and the Kingdom in Upper Egypt was known as the white crown.<br>    A Ushabti (also called shabti or shawabti) is a small figurine of Ancient Egypt, included in the grave goods of the dead. They are human form statues that were made to serve and do labour in the afterlife of King Tut. The figure was believed to magically animate after the dead had been judged and work for the dead person as a servant or substitute labourer in the fields of Osiris. The &quotushabti" is also named the: &quotfollower", or " answerer" because they &quotanswered", for the deceased person, and performed all the routine chores of daily life, for them. Some tombs had the floor covered, with tens, or multiples, of ushabti figurines, produced in quantity, for the journey, of the deceased. In the l8th Dynasty the statuettes started to combine the mummiform figure of the deceased with agricultural or other implements. The ushabtis were used from the 11th Dynasty but became common and numerous in graves from the 21st Dynasty. They symbolically replaced genuine sacrificial burials. Materials used to carve the figures began with wax and clay; later figures were of stone, terracotta, metals, glass and, most often, glazed earthenware. <br>

0965801

Gilt statue of Tutankhamun astride panther. Tukankhamen, by Christiane Desroches Noblecourt, page 1827.<br>    Egyptian kings and gods are depicted wearing different crowns and headdresses. Before 3000 B.C., there was the white crown of Upper Egypt and the red crown of Lower Egypt. When Egypt was united, these two crowns were amalgamated into the Double Crown of Upper and Lower Egypt. Starting in the eighteenth dynasty, kings also wore the blue crown, and the white crown with a plume on either side and a small disk at the top. <br><br>

0965570

Detail of the prow of the alabaster boat. Head of a Syrian ibex and a figure thought to be Princess Mutnedjmet, of the 11th dynasty, who died when she was about 5 years old. Tukankhamen, by Christiane Desroches Noblecourt, page 109.<br>    The alabaster boat from Tutankhamen's treasures could easily be a good example of the ancient levitating ships. The columns would be a rare form, but they may be tets or djeds, ancient Egyptian wireless batteries setting up magnetic field propulsion, perhaps working in unison through the cancellation of opposite poles.

0965775

Pharaoh's ecclesiastical throne. Remains of the openwork decoration between the feet refer to the Union of Two Countries. Tukankhamen, by Christiane Desroches Noblecourt, page 53.<br>    This throne was produced in the early years of the reign of Tutankhamun, prior to the religious counter reformation that marked the definitive end of the Amarna Period. The arms of the throne are in the form of two winged and crowned serpents holding the cartouche of Tutankhamun in front of them. The legs, which were linked at the front and rear with a heraldic motif symbolizing the union of southern and northern Egypt, terminate in leonine paws. Two lions' heads also emerge from the front section of the throne. The rear of the backrest is decorated with a frieze of asps.

0965774

Serket protecting the canopic shrine. Tukankhamen, by Christiane Desroches Noblecourt, page 159.<br>    In Egyptian mythology, Serket (also spelt Serket-hetyt, Selket, Selkis, Selchis, and Selkhit) was originally the deification of the scorpion. Scorpion stings lead to paralysis, and Serket's name describes this, as it means one who &quottightens the throat". However, Serket's name can mean one who causes the throat to breath. Therefore, in addition to being seen as stinging the unrighteous, Serket was seen as one who could cure scorpion stings, and other poisons, such as snake bites.<br>    Serket was considered a highly important goddess, and was sometimes considered by pharaohs to be their patron. As the protector against poisons, and snake bites, Serket was often said to protect the gods from Apep, the great snake-god of evil, sometimes acting as the guard when Apep was captured.<br><br>

0965782

A model of one of the pharaoh's boats. Tukankhamen, by Christiane Desroches Noblecourt, page 113.

0965773

Image of the king's mummy on its funeral bed, flanked by the two souls of the dead man dedicated by Maya. Tukankhamen, by Christiane Desroches Noblecourt, page 258.

0965770

Pectoral in gold cloisonne decorated with semi precious stones and glass paste, found in Tutankhamun's tomb. In the centre is the winged scarab, symbol of resurrection and the rising sun god. Tukankhamen, by Christiane Desroches Noblecourt, page 172.

0965772

Head of one of the funeral couches in the form of a cheetah. Tukankhamen, by Christiane Desroches Noblecourt, page 133.

0965761

Head of a funeral couch in the form of the hippopotamus Goddess Tueris. Tukankhamen, by Christiane Desroches Noblecourt, page 150.

0965767

The lid of the alabaster jar, decorated with a small bowl showing a bird in its nest having just emerged from its egg.<br>Tukankhamen, by Christiane Desroches Noblecourt, page 227.

0965769

Unguent jar in the form of an ibex. Inlaid alabaster. The remaining horn is natural. Tukankhamen, by Christiane Desroches Noblecourt, page 213.

0965766

Head of the sacred cow, used to evoke the mystical pilgrimages during the funeral. Tukankhamen, by Christiane Desroches Noblecourt, page 228.

0965763

Head of a funeral couch in the form of the sacred cow. Tukankhamen, by Christiane Desroches Noblecourt, page 149.

0965778

Funerary headrest in opaque blue glass paste. Gold frieze decorated with two recurring signs of divine life. Tukankhamen, by Christiane Desroches Noblecourt, page 193.

0965759

Back of a chair decorated with Royal names and with the spirit of millions of years. Tukankhamen, by Christiane Desroches Noblecourt, page 70.

0965754

Folding headrest in painted ivory decorated with the two heads of the protective spirit Bes. Tukankhamen, by Christiane Desroches Noblecourt, page 193.

0965762

A game of Senet in ebony and ivory. This is the largest of three such objects found in the tomb. Tukankhamen, by Christiane Desroches Noblecourt, page 233.<br>    This game table composed of interlocking pieces. The piece takes the form of a box resting on a base supported by four leonine legs, partially covered with gold leaf and fixed to a sledge. The upper surface is veneered with ivory and is subdivided by means of strips of wood into thirty squares, five of which carry inscriptions. The game of senet was played on this board. There are the same number of squares in ivory on the lower surface of the box, three of which are inscribed. This side was used for the game tjau. <br>    On one of the short sides there is an aperture in which a drawer (discovered empty elsewhere in the tomb) would have been inserted. This would once have contained the pieces used for the games. The four sides of the box feature yellow hieroglyphic inscriptions. The pharaoh's names and complete titles are recorded. Boards were frequently placed in tombs to allow the deceased to continue playing after their deaths.

0965746

The coffer from the Treasury, divided inside into sixteen compartments. Wood and ivory with applied gold and silver. Tukankhamen, by Christiane Desroches Noblecourt, page 233.

0965755

A cabinet with legs, ancestor of the modern commode. Cedarwood and gilded ebony, decorated with hieroglyphic symbols ensuring divine life. Tukankhamen, by Christiane Desroches Noblecourt, page 234.

0965748

The lower ends of ceremonial canes showing the two adversaries of Egypt - the Asian. Tukankhamen, by Christiane Desroches Noblecourt, page 82.<br>    The detail on the ceremonial walking staff was found buried with Tutankhamun; it depicts &quotthe two foes," or &quotthe Northern and Southern enemies of Egypt". The Asiatic type shown here is ivory. The other is the African type, which is ebony.

0965753

The lower ends of ceremonial canes showing the two adversaries of Egypt - the black African. Tukankhamen, by Christiane Desroches Noblecourt, page 82.<br>    The detail on the ceremonial walking staff was found buried with Tutankhamun; it depicts &quotthe two foes," or &quotthe Northern and Southern enemies of Egypt". The African type shown here is ebony.The other type is the Asiatic, which is ivory.<br>

0965752

Tutankhamen in the form of the dog Anubis during the course of his transformations. Tukankhamen, by Christiane Desroches Noblecourt, page 252.<br>    Anubis, is the Greek name for the ancient god of the underworld in Egyptian mythology, who guided and protected the spirits of the dead. The hieroglyphic is more accurately spelt Anpu (also Anup, Anupu, Wip, Ienpw, Inepu, Yinepu, or Inpw). Prayers to Anubis have been found carved on the most ancient tombs in Egypt. Anubis was painted black to further link him with the deceased - a body that has been embalmed became a pitch black colour. Black was also the colour of fertility, and thus linked to death and rebirth in the afterlife.

0965751

An alabaster lamp in the shape of three lotus flowers. Tukankhamen, by Christiane Desroches Noblecourt, page 107. <br>    The blue lotus was a symbol of the Sun God and the pharaohs. Like the sun that sets in the evening and rises in the morning, the lotus flower blooms in the day and closes each night. The lotus flower became a symbol of rebirth, the renewal of life and the promise of everlasting life.<br><br>

0965749

The blue green faience cup of Tutankhamen found by Ayrton under a boulder in the gully containing Amenhotep II's tomb. Tutankhamun (alternate transcription Tutankhamen), named Tutankhaten early in his life, was Pharaoh of the Eighteenth dynasty of Egypt (ruled 1334 BC/1333 BC-1323 BC, lived ca. 1341 BC-1323 BC), during the period known as the New Kingdom. Aakheperure Amenhotep II (d. 1400 BC) was the seventh Pharaoh of the 18th dynasty of Egypt. He ruled from 1427 BC to 1400 BC.<br>   Valley of the Kings by John Romer, page 217.

0965805

Alabaster vase with a long neck inlaid with floral garland. Tukankhamen, by Christiane Desroches Noblecourt, page 188.

0965747

The king's dagger, showing the detail of the hilt of the first dagger. Tukankhamen, by Christiane Desroches Noblecourt, page 97.

0965744

The gilt shrine which originally contained the statuettes of the royal couple. Tukankhamen, by Christiane Desroches Noblecourt, page 39.<br>     The external walls and the doors of the shrine are subdivided into panels framed by hieroglyphic inscriptions with scenes showing Tutankhamun and his wife in various aspects of married life, a theme that recalls the scenes of the Amarna Period. The entire decorative scheme of the shrine has strong symbolic connotations associated with the religious and political spheres. The intimate ties between the pharaoh and his bride represent the serene relationship between god and man. <br>

0965740

Painted ivory plaque from the lid of the coffer showing Tutankhamen and Queen Ankhesenamun in a garden. The lower frieze shows young women plucking mandrakes. Tukankhamen, by Christiane Desroches Noblecourt, page 29.

0965725

The back of the gold plated throne. The Queen Ankhesenamun is putting the finishing touches to the King's (Tutankhamen) toilet. Tukankhamen, by Christiane Desroches Noblecourt, page 30.

0965742

Detail from the inside of one of the panels of a state chariot. The king is shown as a sphinx trampling the enemies of Egypt underfoot. Tukankhamen, by Christiane Desroches Noblecourt, page 91.

0965756

Details from the ceremonial footstool of the king. The enemies of Egypt conquered and placed beneath the yoke of the pharaoh (a variation of the scene of Union of Two Countries). Tutankhamun, by Christiane Desroches Noblecourt page 51.

0965727

Details from the ceremonial footstool of the king. The adversaries of the south a Nubian and a Sudanese. Tukankhamen, by Christiane Desroches Noblecourt, page 51.

0965724

Details from the ceremonial footstool of the king. The adversaries of the north a Syrian and a Libyan. Tukankhamen, by Christiane Desroches Noblecourt, page 51.

0965726

The Goddess Isis on one of the double doors of the gilt shrine reminiscent of a chapel of the South. Tukankhamen, by Christiane Desroches Noblecourt, page 18 and page 131.

0965720

Detail from the inside of one of the state chariots. The enemies of Egypt vanquished and enslaved. Tukankhamen, by Christiane Desroches Noblecourt, page 91.

0965758

Details of the exterior of the gilt shrine. The queen fastens a necklace round the king's neck. Tukankhamen, by Christiane Desroches Noblecourt, page 40.<br>    The rear wall and the doors, both inside and out, are decorated with scenes in which Ankhesenamun is making offerings in the presence of her husband. The external walls and the doors of the shrine are subdivided into panels framed by hieroglyphic inscriptions with scenes showing Tutankhamun and his wife in various aspects of married life, a theme that recalls the scenes of the Amarna Period. The entire decorative scheme of the shrine has strong symbolic connotations associated with the religious and political spheres. The intimate ties between the pharaoh and his bride represent the serene relationship between god and man. For this reason it is almost always the queen who is the active figure, embodying the concept of humanity paying homage to the celestial, personified by Tutankhamun. <br><br><br><br>

0965737

Detail of the gilded shrine showing the Queen Ankhesenamun at the feet of the king. Tukankhamen, by Christiane Desroches Noblecourt, page 251.<br>    The external walls and the doors of the shrine are subdivided into panels framed by hieroglyphic inscriptions with scenes showing Tutankhamun and his wife in various aspects of married life, a theme that recalls the scenes of the Amarna Period. The entire decorative scheme of the shrine has strong symbolic connotations associated with the religious and political spheres. The intimate ties between the pharaoh and his bride represent the serene relationship between god and man. For this reason it is almost always the queen who is the active figure, embodying the concept of humanity paying homage to the celestial, personified by Tutankhamun. <br><br>

0965776

Details of the exterior of the gilt shrine. The king pours a perfumed liquid into the queen's hand. Tukankhamen, by Christiane Desroches Noblecourt, page 41.<br>    The external walls and the doors of the shrine are subdivided into panels framed by hieroglyphic inscriptions with scenes showing Tutankhamun and his wife in various aspects of married life, a theme that recalls the scenes of the Amarna Period. The entire decorative scheme of the shrine has strong symbolic connotations associated with the religious and political spheres. The intimate ties between the pharaoh and his bride represent the serene relationship between god and man. For this reason it is almost always the queen who is the active figure, embodying the concept of humanity paying homage to the celestial, personified by Tutankhamun. In the bottom left Ankhesenamun is crouching before the seated Tutankhamun and is receiving a liquid poured by her husband into her hands from a small ampoule. <br><br><br><br><br>

0965736

Details of the exterior of the gilt shrine. The Queen helps the King in a ritual hunting scene. Tukankhamen, by Christiane Desroches Noblecourt, page 41.<br>    The external walls and the doors of the shrine are subdivided into panels framed by hieroglyphic inscriptions with scenes showing Tutankhamun and his wife in various aspects of married life, a theme that recalls the scenes of the Amarna Period. The entire decorative scheme of the shrine has strong symbolic connotations associated with the religious and political spheres. The intimate ties between the pharaoh and his bride represent the serene relationship between god and man. For this reason it is almost always the queen who is the active figure, embodying the concept of humanity paying homage to the celestial, personified by Tutankhamun. <br>    The couple are adorned with jewels and dressed in finely pleated, adherent clothing. The left wall is divided into four panels. The hunting scene is to be interpreted as a symbolic episode referring to the pharaoh's role in the maintenance of the cosmic order and his constant fight against chaos (symbolized by the birds in the swamp). <br>

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Details of the exterior of the gilt shrine. The queen brings unguents and flowers to the king. Tukankhamen, by Christiane Desroches Noblecourt, page 40.<br>    The rear wall and the doors, both inside and out, are decorated with scenes in which Ankhesenamun is making offerings in the presence of her husband. The external walls and the doors of the shrine are subdivided into panels framed by hieroglyphic inscriptions with scenes showing Tutankhamun and his wife in various aspects of married life, a theme that recalls the scenes of the Amarna Period. The entire decorative scheme of the shrine has strong symbolic connotations associated with the religious and political spheres. The intimate ties between the pharaoh and his bride represent the serene relationship between god and man. For this reason it is almost always the queen who is the active figure, embodying the concept of humanity paying homage to the celestial, personified by Tutankhamun. <br>

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Three plaques of semi precious stone bought by Howard Carter for Lord Carnarvon which probably came from the Burton Davis excavations at the tomb of Amenhotep III. The gold mountings are modern. According to different authors Amenhotep III ruled 1413 BC-1377 BC, 1405 BC-1367 BC, or 1386 BC-1349 BC, following on from his father Thutmose IV.     Howard Carter (1874-1939) was an English archaeologist and Egyptologist. He is most famous as the discoverer of KV62, the tomb of Tutankhamun in the Valley of the Kings, Luxor, Egypt. <br>    George Edward Stanhope Molyneux Herbert, 5th Earl of Carnarvon (1866-1923), usually referred to simply as Lord Carnarvon, was an English aristocrat best known as the financier of the excavation of the Egyptian New Kingdom Pharaoh Tutankhamun's tomb in Egypt's Valley of the Kings.<br>Valley of the Kings by John Romer, page 217.

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Pensenher's Coffin

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The royal diadem found on the king's mummy. It bears on the forehead the Vulture of the South and the Cobra of the North. Tukankhamen, by Christiane Desroches Noblecourt.<br>    The vulture was the symbol of Upper Egypt. Pharaohs wore the uraeus (cobra) and the head of a vulture on their foreheads as symbols of royal protection. The goddess Nekhbet was also portrayed as a vulture.

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Tutankhamen - Image of the King's mummy on its funeral bed flanked by the 'two souls' of the dead men.- © TopFoto

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Collar in the form of a vulture, ensuring the wearer of protection by the goddess Nekhbet. From Tomb 55. The inscriptions on the mummy were erased and the identity of the deceased is disputed. Some scholars argue that it may be that of Akhenaten, moved from his tomb at Amarna by his son Tutankhamun. Country of Origin: Egypt. Culture: Ancient Egyptian. Date/Period: New Kingdom, 18th Dynasty. Place of Origin: Thebes, Valley of the Kings. Material Size: Gold  w = 27 cm. Credit Line: Werner Forman Archive/ The Egyptian Museum, Cairo . Location: 42.<br><br>Supplied by www.TopFoto.co.uk

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Tutankhamen - 4 canopic urn covers (see PL.XXXIII) - © TopFoto

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Egypt, Luxor, West Bank, Tutankhamun Tomb

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Aspect of excavations during the discovery, by lord Carnavon and Howard Carter, of the tomb of the egyptian pharaoh Tutankhamun (XVIIIth  dynasty), in the King Valley, 1923.

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Egypt: King Tutankhamen's artifacts being taken from his tomb in the Valley of the Kings.

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Egypt: The Treasures of Tutankhamen's tomb are transported from the Valley of the Kings. Showing cases being carried on board across the water, it being too shallow for the barge to come right in.

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Egypt: Map of the West Bank of Thebes in the 18th Dynasty. Tutankhamen's tomb discovered.

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The Valley of the Kings showing the tomb of Ramesses VI (reigned 1142-1134BC) and the tomb of Tutankhamen. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 25.

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Transporting the objects from the tomb. The Treasures of Tutankhamen, The Exhibition Catalogue by I E S Edwards, page 47.

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